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・ Charles Ballard (politician)
・ Charles Bally
・ Charles Balthazar Julien Févret de Saint-Mémin
・ Charles Bambridge
・ Charles Bampfield Yule
・ Charles Bana
・ Charles Banbury
・ Charles Band
・ Charles Band (businessman)
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・ Charles Bane, Jr.
・ Charles Banga
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Charles Bannister
・ Charles Bansley
・ Charles Banya
・ Charles Barber
・ Charles Barber (artist)
・ Charles Barber (author)
・ Charles Barber (brigadier)
・ Charles Barbier
・ Charles Barbier de Meynard
・ Charles Barclay
・ Charles Bard, 2nd Viscount Bellomont
・ Charles Bardeen
・ Charles Bargue
・ Charles Barham
・ Charles Barham (priest)


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Charles Bannister : ウィキペディア英語版
Charles Bannister

Charles Bannister (1738〔The date 1741 is cited by Highfill et al. for Bannister's baptism, and the birthdate 1738 is called incorrect on the basis of that record. See P.H. Highfill, K.A. Burnim and E.A. Langhans, 'Bannister, Charles', in ''A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and other Stage Personnel in London, 1660-1800'' (Southern Illinois University Press, 1973), Vol 1: Abaco to Belfille (pp. 259-265 ), at p. 259.〕–1804) was an English actor and singer.
==Origins and debut==
He was born in Gloucestershire, but in his seventh year his father moved to Deptford where the young Charles thereafter grew up. He was possessed of 'a manly form, an ardent mind, and an uncommon flow of wit.' He liked to associate with a company of players who visited his neighbourhood, and aspired to their profession. At first thinking of serious drama, before he was 18 he made amateur appearances in ''Romeo and Juliet'' and ''Richard III'' in Deptford. Drury Lane turned him down, but after successful work in Norwich, Ipswich and other eastern towns, Samuel Foote gave him his first London appearance in 1762 at the Haymarket Theatre, as Will Tirehack in ''The Orators'', opposite John Palmer as Harry Scamper, who also made his debut on that occasion.〔John Adolphus, ''Memoirs of John Bannister, Comedian'', 2 Vols (Richard Bentley, London 1839), (Vol. 1, p. 4 ).〕 Bannister remained Palmer's friend thereafter with 'manly firmness and immoveable constancy'. Long afterwards, in June 1787, Palmer as manager of the Royalty Theatre attempted to present dramatic works (including ''As You Like It''), and then other lighter entertainments of the stage, with the encouragement of Arthur Murphy, contrary to Statute. Bannister, even after the legal danger was apparent, remained with him, and was committed for trial, though the warrant was superseded.〔Adolphus 1839, Vol. 1 pp. 155–59.〕

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